|THE DEATH OF THE MIX TAPE||
During the early aughts, a groundswell of garage based, mostly indie rock came bubbling up after the death of new metal. Bands like the Hives, White Stripes, and maybe most notably, the Strokes helped to usher in a new age of rock n roll. Hailing from NYC, the capital of American attitude, the five piece consisting of Julian Casablancas, Albert Hammond Jr., Nick Valensi, Nikolai Fraiture, and Fabrizio Moretti on drums released an album that was defined by its devil may care logic in quick, punctuated music that touched on issue of being reasonable, lost in thought, and more notably, fun times spent laughing about the memories, good and bad. I haven’t done one of these “Albums of My Life” in awhile so I thought it would be great to discuss one of the overall best albums of the last 20 years, without a doubt. Here are my thoughts on the Seminal album by the Strokes, “Is This It?” I hope you enjoy it.
At 35 minutes, this album is quite short, but what it lacks in duration is quickly forgotten because nearly every song is a classic anthem and perfectly exemplifies everything that was amazing about the early indie movement. The opening title track starts with a mild electronic beat before becoming a very evenly paced instrumentation section. It’s only made better by the slow murmurings of singer Casablancas. Much has been made of the bands seemingly lax relationship with how normal bands do things, but from the start they made that known, and have basically stuck to their guns in the following two decades.
Musically, the opening is a nice teaser for a more immediate next track “Modern Age.” It’s easily one of my favorite songs the band has ever recorded, the guitar part is contagious, and the song takes off like a coaster on Coney Island. It’s one of the more fun energetic tracks on the album, and overall is a masterpiece. It’s powerful, defensive and ready for attack. I think that’s what I like about it most.
Many of the songs on this album stay with you for way longer than they maybe should. Much of what was released during those years of the garage rock revival has been forgotten, like any fading genre, but this record always seems to get classier with age. As the album progress, we get a solid round or so of songs that would end up helping the band become such a well known act. “Someday” is filled with this sense of longing and regret, which I think is still relevant of the times. The lyrical content is used from points of frustration and apathy, but also of redemption and finding the strength to be the best person you can.
Following that we get the massive hit “Last Nite,” the song that was the first big break the band got on radio and (even then) music videos on MTV. I think the song is good but not the best in their arsenal. Having said that, it’s hard to be as great as you can be when the next track “Hard to Explain” blows everything out of the water. It’s a fast paced but beautiful song of remembrance. I have a friend who was going through a difficult time, with a lady, and he described to me the freedom of flying down the interstate on New Year’s Eve, blasting this song and being freed of all the burdens of the last year and the Strokes played it, seemingly just for him in that moment. It’s stuff like that that always stays with me. It’s the power of music, and while this album has many high points, “Hard to Explain” is not only the best track on the album, but more than likely the band’s best overall song. I hope you enjoyed this. Thanks for reading
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Landon Murray is a music connooisseur who craves sounds of all shapes and textures. He's seen over 2000 bands and looks forward to welcoming you into his world of sound,
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